Back when Fiona started Book Design Made Simple, she decided that writing in InDesign would be easiest. (After all, it was her native habitat.) And now one of our readers has admitted to doing the same. So we thought we’d explore the various reasons why anyone would want to write in a layout program. For us it worked perfectly. How about you?
Reasons for writing in InDesign
Our book is filled with over 200 InDesign screen shots, and most of the pages are a complicated mix of text and illustrations. A huge percentage of the illustrations were produced in the same application. So there are three reasons to write in InDesign right there. Take a look at a couple of our spreads:
Wow, right? Perhaps you can see why we wrote to fit the space.
On the opposite end of the scale of complexity, some self-publishing authors of unillustrated books choose to write in InDesign for different reasons.
First, many people simply dislike using Word. (There are so many Word haters that we couldn’t possibly list all the reasons.)
Also, some find that designing as they go along gives them a feeling of control. They believe that tweaking the design over the long writing period produces a better product.
And a few folks simply find that the InDesign interface is more interesting and perhaps logical to them.
If you’re planning to design and lay out your book in InDesign anyway, this could be the perfect chance to become familiar with the program.
Some #book #authors find it best to write in #InDesign. Does that sound crazy? We don't think so. https://tinyurl.com/tsmfj6ps Share on XSome hints for writing in InDesign
For the most part, you can simply use most of the tricks you may know from Word. You can copy and paste, use a spell check, find and replace, make lists with the click of a button, and so on. You can also create your index as you write. But along with all of that, there are some special features that make writing in InDesign a bit more interesting and useful.
Adding illustrations as you go
When using Word, you can of course add your illustrations as you progress. But why do it twice? Since you cannot simply copy your Word illustrations into InDesign when you import the text, you’ll save a step by importing them straight into InDesign as you write. In Book Design Made Simple, we devote 7 chapters to importing and placing images, getting your text to wrap around them, and optimizing them.
Also, if your book is like ours, with lots of images and diagrams, you can create shapes and some illustrations to fit your page. (To get started, review our videos on drawing shapes. Then you might want to advance to adding effects such as shadows and 3D. Explore all of our videos to find what you need to learn.) In other words, you can watch your book come together as you progress.
Using StoryEditor
Story Editor is a feature that we’ve never used, but we did some research and trials and found out that we probably should have! It’s like having a text doc sitting right next to the InDesign screen so you can ignore the layout when you want to concentrate on the words. As you type in Story Editor, you can watch the changes appear in the layout. For many folks this would be a godsend.
A few of the other advantages include:
- Highlighting changes as you make them
- Seeing all the text in the same font and color of your choice in Story Editor—it could be larger or clearer than the type in the layout
- Having spelling and grammar prompts that look familiar
- Viewing overset (too long) copy that would otherwise disappear from view
To start using this terrific tool, put your cursor anywhere in the text, then go to Edit > Edit in Story Editor. We suggest a couple of lessons to move you further along. First, watch CreativePro’s 5-minute tutorial. Then check out the many other ways to improve your Story Editor experience in this blog post from makeuseof.com.
Setting the Next Style
Once you specify a Next Style (instructions below) in Paragraph Style Options, you can type your chapter number, then type your chapter title, and start your chapter text—and each time you hit Enter/Return, the correct paragraph style will be applied automatically to each. It is pretty cool and saves time, too. Here are the settings we used for this example:
If you want to hit the ground running with an InDesign book template that’s already set up with all the basic styles described in Book Design Made Simple, read about our template here.
Adding pages
You can ask InDesign to add pages as you type, just the way that Word does. Simply go to File (or InDesign) > Preferences > Type, and check Smart Text Reflow and Delete Empty Pages, as shown below. The program will then add pages automatically as your story gets longer.
When you’ve finished your main text, you can then add pages before page 1 of your manuscript for your title page, copyright page, contents, and other front matter pages. In your Pages panel, highlight page 1, then go the Pages dialog box > Insert Pages, and add an even number of pages Before Page 1. Voilà.
Other tricks you’ll need for writing in InDesign
Word count
If you like to keep track of how many words you’re spinning out, simply put your cursor anywhere in the story, go to Window > Info, and a small panel will pop up showing total word count and character count in the story.
Producing proofs for your editor
The editing phase is the one hiccup you’ll encounter when writing in InDesign. Chances are very great that your editor will not have the InDesign application, but they will know how to work in Word and PDFs. Ask which format is preferred.
To make a proof in Word, put your cursor in the text, Select All, then copy and paste into a new Word document. This is the easiest way to receive the edits, as you can accept each one individually (or en masse) in Word and then flow the text back into InDesign.
To make a PDF, go to File > Export, choose PDF format, and name the file. When you receive your editor’s comments on the PDF, you’ll need to retype each change in InDesign—directly into the layout, or by using Story Editor.
Stitching your chapters into one book
You might want to write your book with each chapter or section as a separate file. For Book Design Made Simple we did this because we took turns writing and reviewing each other’s work, and the files were huge.
For a book that is straight text, keep it all to one file for the sake of simplicity.
If you’ve been writing each chapter or section as a separate document, you’ll have to put them all together before you go to press. To do this, you’ll need to use InDesign’s Book feature, so please read our previous article for instructions.
A caution about hyperlinks. Is your book going to contain internal links such as “see page 62”? It will be tempting to make those links as you go along, but please don’t. We suggest setting up a temporary character style for the hyperlinks as you write, making the type a bright color so you can spot it later. Wait until your book is completely laid out before actually creating the hyperlinks (and a final hyperlink character style). We learned this lesson the very hard way by linking every entry in our index (about 1000 individual page links) before we changed our sections’ file names one final time. As soon as we changed the names, every single link disappeared, and—guess what—we had to redo the entire index plus hundreds of other internal links.
It’s fine to set up external hyperlinks to websites or email addresses as you write in InDesign or Word.
Will you write in InDesign?
We hope this article will help you decide whether writing in InDesign is for you or not. Just do what’s best for your situation because either way, your book is going to end up looking great.
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We thank our reader Donald Dunbar for suggesting this topic and sending us on an interesting journey of learning more about how to write in InDesign.
Read more: Why learn InDesign? » Making the transition
And more: The value of an editor » Why you really do need one
Book Design Made Simple. You can do it yourself.
Gary Townsend says
I love it! In fact, I have sometimes used InDesign instead of MS Word simply because, by comparison, Word’s features are an utter joke. I know this makes InDesign an extremely expensive word processor, but Word — despite Microsoft’s attempts to make it into a page layout and design editor — is clunky and nowhere near as flexible or precise.
I have created and written newsletters, even just to family, using InDesign and writing everything within the program, even back when it was still Adobe PageMaker, and even going to back to *before* Adobe bought it and it was called Aldus PageMaker. Yes, I have used it *THAT* long.
I am not using Creative Cloud, however. I am still using CS6, and not just InDesign, but also Illustrator and Photoshop and Dreamweaver (even used Adobe’s old PageMill before they bought Dreamweaver). I have used Photoshop since Photoshop 3.0.
When I went through a period when I did not have InDesign, I used Illustrator for page layout and design. Not quite the same, obviously, yet I still had the kind of control over the document that I wanted. I even have some low content books I created and uploaded to Amazon that I created that way, when I would have preferred to have used InDesign.
I know these applications are not meant to be used in those ways, but I *LOVE* a powerful application that gives me the kind of control that these all do.
Glenna Collett says
Hello Gary,
We are with you all the way. And we are old timers also, having used PageMaker and gone through all the versions of InDesign. (I also used Quark for a long time.) We now both use ID 5.5 in order to avoid the subscription costs.
Keep up the good work–in InDesign, of course.
Glenna
Gary Townsend says
That’s why I’m sticking with CS6 for as long as possible, even if it means not being able to upgrade my OS past macOS Mojave 10.14.x. I’m currently running macOS High Sierra 10.13.6.
I remember when Adobe first came out with the subscription model. I called and talked to a representative. They stuck with their sales pitch, saying that with the subscription I’d always have the latest version. My objection was that I’d be paying constantly for it, whereas with the old model I’d pay once until I decided I wanted to upgrade.
For me, I went from Adobe PageMaker (I forget the version) and Adobe Photoshop 3.0 to CS2, to CS3, to CS5.5.
I bought the Web Design bundle, which is why I didn’t have InDesign for a while. I got CS5.5 at a steep discount because I was in college pursuing a web design degree, plus an additional discount Adobe was offering at the time. I should have spent a little more and gotten ID5.5 with a student discount, too. I bought a disc of CS5.5 that had InDesign, but because of the kind of license it had, I ended up losing InDesign. Adobe deactivated my authorization. It wasn’t pirated; it was just software that apparently had a limited license and I wasn’t aware of it.
More recently, I upgraded to CS6 Design & Web Premium. I bought it via eBay, and I made sure this time it was not only legit, but also *not* a temporary license. That upgrade restored my use of InDesign and my access to my old 5.5 .indd files and gave me updates to all the other applications, except, apparently, an update to Acrobat Pro. That’s fine, since I still have Acrobat Pro and will keep it.
Glenna Collett says
We’ve had very similar journeys through the Adobe maze. My Mac is old, too. Last year I bought (no subscription!) Affinity Publisher and its suite, all similar to the Adobe products. You might have seen my review of the app on our blog. Publisher has ALMOST everything that InDesign has, and now that I’m retired, it’s enough for me. Whenever I can’t find a feature that I’m used to in InDesign, I just remind myself that it only cost $50.
Good luck keeping that old Mac OS going as long as you can.
Glenna
Gary Townsend says
Thanks! 😀
I once tried Scribus as a temporary replacement for InDesign, when I didn’t have it. It was okay and reasonably similar to InDesign, but I found I still preferred InDesign. (I once tried Gimp in replacement of Photoshop and gave that up faster than I did Scribus.)
Interesting trivia about Photoshop: It started off as a video editor and still has some of those features (although I think they are little used these days; I’ve used them, but very rarely). Some of them were developed to help in the creation of a few of the special effects in the very first Star Wars movie, if I remember right. (That’s going back to about 1976, since Star Wars was released in 1977.)
I think Adobe has done a great job of keeping InDesign’s interface remarkably consistent over the years. I don’t ever recall encountering any problems moving from Aldus PageMaker to Adobe PageMaker to the CS2 suite, or CS3, or CS5.5, or now CS6. Plenty of features were added, sure, but I could still continue all the things I had done before, and the old big fat books — Photoshop Bible, Illustrator Bible, PageMaker Bible — kept me up to date on the changes. Miss those books, and wish they hadn’t discontinued them.
I never tried Affinity Publisher, but I did once consider giving Quark a shot. I never pulled the trigger on that, though.
When I pursued my web design degree, I deliberately took some print design courses for my electives, so I was using the entire Creative Suite for all of my classes. My favorite professor was the guy who did the redesign for the website and printed material for the US Copyright Office. They still use his designs, in fact, but mostly in their logo and in their circulars. The website has since been given an overhaul and I’m not sure if they still had him do that or if another designer did it. Learned a *LOT* from him. I was the only person in his class to ask him for book recommendations, which he seemed to like (I remember him saying that very few people ever asked him for such things), and he pointed me straight to Bringhurst’s The Elements of Typographic Style.
Chris DiRusso says
I used to write in InDesign but found it limiting. In Word, I can use two separate editing programs at the same time for clean up before sending to the editor(s) and the read back audio feature helps catch a lot of things the eyes miss—and I am a writing in InDesign proponent.
I still design as I go but just with an extra step. Chapter by chapter instead of line by line.
Glenna Collett says
Thank you, Chris. We suspect that everybody who has tried writing in InDesign will have a different reason for either loving it or not. I didn’t even know about the read-back audio feature of Word—how interesting and useful!
Glenna