You can do it yourself.
Every book needs a title page. Whether it’s in a printed book or an ebook, the title page shows the official title, author, and publisher that will go into the Library of Congress database—or the equivalent database in your country.
Also, it’s supposed to be the first, or almost the first, page that a reader sees. As such, it has the potential to set the tone for the rest of the book, and with a good design, add marketing value.
So here are some ideas, starting with the basics. [Read more…]
International Standard Book Numbers (ISBNs) are important for self publishers. Some printers, print-on-demand publishers, and ebook vendors will offer to provide you with an ISBN, but it’s usually better to get your own. Part of the ISBN includes a “publisher number,” which is assigned to a specific publisher. Therefore, if you allow another company to provide the ISBN, then that company will be listed as the publisher of your book.
We’ll explain everything you need to know: how, where, and why to get your own block of ISBNs, and how to assign them to your print and digital books.
Want to design a workbook? Who uses those any more?
Lots of folks, actually. Even though there are apps for practically everything these days, children still enjoy workbooks for mazes or drawing or learning practically anything. Adults can use them for recording their latest bird find or geocaching location, or for word or number puzzles, for instance. A coloring book can be considered a workbook, too.
We’ll help you design a workbook that will work well for your audience.
The path to a high quality self-published book is strewn with expenses. Annoying, maybe, but necessary. So, how much does it cost to self-publish? We’ve discussed most of the cost issues in the past, but here I’m pulling them all together so you won’t stumble on any surprises as you make your way.
Please don’t let anyone persuade you that you can produce a printed book that is up to publishing industry standards—and also market it—for free, because that’s simply not true.
Every book has front matter elements. A title page and a copyright page are absolutely essential. But many manuscripts have arrived at our desks with a jumble of other pages that are misnamed, out of order, or sometimes simply puzzling. So I’m going to straighten this out for all you indie authors and publishers, because a professional-looking front matter is the best beginning for any book. [Read more…]
I used to think that a copyright page didn’t really need cataloging-in-publication (CIP) data in order to be complete. But I was wrong.
But wait—what is CIP data? It’s the block of information on a book’s copyright page that resembles a library catalog entry, like the one shown here. If the Library of Congress created it, it’s called CIP data. If a private cataloging service created it, it’s called PCIP (Publisher’s CIP) data. Since they look basically the same on the page, I’ll simply refer to both as CIP data for our purposes. [Read more…]
Some people say that the first page is the most important one in any book—and that is probably true as a means for hooking a reader. Others say that the cover is the most important. But I contend that the copyright page wins the prize because it’s probably the first page that a librarian, bookseller, or distributor looks at. And that makes it an integral part of your book marketing program.
Many self-publishing authors find the copyright page to be horribly confusing. All that legal language! All those numbers! What does it all mean? [Read more…]
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