You can do it yourself.
Crop marks and other printer’s marks appear in the PDFs you send to the printer. In Book Design Made Simple, we mention crop marks exactly once and never define what they are, so we think it’s about time that we did so.
Simply put, crop marks are chop marks—they indicate where the printer will chop around the edges of the stack of printed pages to make them the correct size, and a nice, neat package for binding. [Read more…]
Book endpapers (also called endsheets) are probably the least noticed part of a hardcover book. But the endpapers are literally what hold the pages and the cover together. And they can add value to your book if you use them well.
If you’re publishing a paperback, take a look at the examples in this article for ideas anyway; you’ll find that the same principles can apply. [Read more…]
Back when Fiona started Book Design Made Simple, she decided that writing in InDesign would be easiest. (After all, it was her native habitat.) And now one of our readers has admitted to doing the same. So we thought we’d explore the various reasons why anyone would want to write in a layout program. For us it worked perfectly. How about you? [Read more…]
Front covers attract and back covers sell—we’ve said it before. At the same time, a book spine should broadcast.
Most books in stores and libraries are shelved with their spines facing out. If a book has a great title and a well-designed spine, it’ll attract a lot more eyes than its neighbor on the shelf. So here’s how to accomplish that for your book. [Read more…]
In Book Design Made Simple, we suggest type sizes that should work in most situations for adult readers. But there are so many other situations! What about children’s books? What about large type books? Reference books? In this article we’ll suggest solutions for these kinds of books. And we’ll only discuss printed books; with ebooks, the reader can enlarge or reduce the type size to whatever works for them. [Read more…]
Like everything else, the ancient art of book binding is automated these days, and the array of available binding machines is amazing. This article aims to quickly explain the basics of book binding methods so you’ll be able to choose a book printer wisely.
Book binderies can be separate entities but are usually integrated with a book printing company. And in some instances, printing and binding are done right inside the same machine. [Read more…]
We are strong believers in not going it alone. You may already belong to a writing group or one related to your topic of interest. But by joining one or two publishing associations, or even by knowing about them, your self-publishing experience will be enriched. And boy, will you learn a lot.
If you decide to use a self-publishing service, you’ll still be so glad that you joined together with others who are on the same journey.
On the other hand, if you’re doing the whole self-pub thing on your own, joining a publishing association will be twice as useful to you. You’ll not only meet others who can advise and encourage, but you’ll also be able to use the group’s resources to help you find a reliable illustrator, editor, printer, and so on. [Read more…]
You’ve published a book—or you will soon—and you know that you’ll need to get it to readers. But how? That basic question is what we’re going to clue you in on. The very concept of book distribution confounds a lot of first-time publishers, so we’re hoping to make it all clear here.
Want to design a workbook? Who uses those any more?
Lots of folks, actually. Even though there are apps for practically everything these days, children still enjoy workbooks for mazes or drawing or learning practically anything. Adults can use them for recording their latest bird find or geocaching location, or for word or number puzzles, for instance. A coloring book can be considered a workbook, too.
We’ll help you design a workbook that will work well for your audience.
Why, you might ask, is the coauthor of a book about InDesign reviewing a direct competitor, Affinity Publisher?
Because it’s new and I wanted to check it out.
And because it’s so much more affordable than Adobe’s Creative Cloud: $600 a year for the Adobe suite vs. a one-time total of $150 for the full line of Serif’s products: Publisher, Photo, and Designer (all at half price until May 20). We both bought the Affinity software for desktop, and I must say that for the most part, we love it.
The Affinity Publisher app is for desktop use on PCs and Macs. Photo and Designer can also now be used on iPads, so check back on Publisher to see when the iPad version becomes available.
[Read more…]
Paperback: Amazon
Ebook: Kindle, Apple Books
